December 17, 2024

Twilight Ritual – 1982-2021 (Album – Wave Records)

0
Twilight-Ritual
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-Wave, Minimal-Electro.

Format: Digital, 2CD.

Background/Info: Belgian MatesGeert Coppens and Peter Bonne (aka ‘Chrismar Chayell) started off as Autumn and one year later, in 1982, moved on with Twilight Ritual. The band released several noticeable productions. Chrismar Chayell later became a member of the legendary A Split Second. This album is a retrospective featuring some early songs, and also revealing previously unreleased tracks.

Content: From the very first notes and songs you clearly notice the typical 80s influence. This is ‘pure’ Electro-Wave mixing melodic parts together with darker, atmospheric passages. Harder cuts are carried by solid EBM bass lines. The work also features a few relaxing and somewhat Cinematic parts, which are even evoking Tangerine Dream. The vocals are rather clear.

+ + + : This work is an opportunity to (re)discover an ‘old’ and somewhat forgotten Belgian formation from the 80s. I like the magic of the analogue sound treatments, which are bringing the 80s alive. My favorite song is one originally released on the album “The Factory Scream” (2002). “Black Track” is a solid piece carried by a great EBM-minded bass line. The fans will be also pleased with the box of this album featuring next to both CDs a DVD with 15 songs. And there’s more good news as Twilight Ritual seems to be busy releasing completely new stuff.

– – – : I’ve never been a huge fan of the vocals’ production, which is missing passion and conviction.

Conclusion: Twilight Ritual was an interesting formation, but operating in the shadow of the Belgian great names from the 80s.

Best songs: “Black Track”, “Ums”, “Ups & Downs”, “Surrounded”, “Ever Changes”, “Tears On The Wall”.

Rate: 7.

Artist: www.micrart.comwww.facebook.com/twilightritual

Label: www.waverecordsmusic.com / www.facebook.com/waverecords

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights