November 17, 2024

The Overlookers – Videodrama (Album – BOREDOMproduct)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-Pop.

Format: Digital, CD.

Background/Info: Four years have passed since the promising debut-album “Teenage Wet Dreams”. French duo JB Lacassagne (Dekad) and Pierre_XY (Foretaste) are back on track unleashing their second opus “Videodrama”. They remained inspired by the past, now moving back to the fantasy world of David Cronenberg, John Carpenter, Stephen King, John Hugues ao.

Content: The sound has evolved as well although remaining pretty Electro-Pop like. They’re more into 80s Electronics while the debut-album also featured 50s and 60s elements. You’ll notice the typical effects, sweeps and space-like atmospheres getting us back to the magic of Electro-Wave. Most of the songs have a danceable appeal but you’ll also discover softer, melancholic, cuts.

+ + + : The Overlookers didn’t produce a copy-paste album of their debut work. “Videodrama” is a catchy, retro-like work with a personal touch on top. The work  has an atypical BOREDOMproduct-sound and that’s rather cool. It enlarges the musical horizon of the label and both musicians as well. It also is a well-crafted composition with multiple attention grabbers. Some parts are reminding me to Propaganda but globally speaking I would dare to say The Overlookers have adapted 80s Electro-Pop into a very personal sound approach.

– – – : The album is maybe missing an absolute hit song but don’t worry, we’ll get a very cool tracklist instead.

Conclusion: The Overlookers is much more than simply a side-project but just a great, creative, and inspired Electro-Pop project made in France.

Best songs: “Undercover”, “A Heavy Price To Pay”, “Cast Away Your Sorrow”, “Red Lights”.

Rate: 8.

Artist: www.facebook.com/theoverlookersmusic

Label: www.boredomproduct.fr  / www.facebook.com/boredomproduct

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights