December 17, 2024

Terminal – The New Republic (Album – Metropolis Records)

0
Terminal
🇺🇦 Side-Line stands with Ukraine - Show your Support
#post_seo_title

Genre/Influences: Industrial, Electro.

Format: Digital, CD.

Background/Info: This album comes two years after the official debut-full length “Blacken The Skies”. Terminal is a project based in Pretoria (South-Africa) and driven by Thomas Mark Anthony. “The New Republic” features thirteen new cuts and is dedicated to Dave Heckman -Metropolis Records owner who passed a way last year.

Content: The work sounds as the logical follow up to “Blacken Skies”. From Industrial-Metal passages to more explicit Industrial-Pop Terminal is revisiting Electronic standards. The tracklist reveals a few instrumental cuts, kind of intermezzos.

+ + + : I first of all have to salute the deep, charismatic, timbre of voice of the artist. It now and then evokes Nick Cave. Sound-wise this album is more consistent than its predecessor. It sounds more mature and accomplished but also reveals an original composition. It’s neither Industrial nor Pop but somewhere in between. The guitar injects power and the electronic sound treatments create a cool atmosphere while creating harmony. I like the work for its overwhelming bombast.

– – – : It’s not an ‘easy’ work to listen to; it might take time to seize the essence and strength of the production. Terminal sounds like mixing opposites but in the end it all sounds complementary.

Conclusion: The new Terminal-album sounds like a step forward and is definitely an accomplished production experimenting with opposite poles.

Best songs: “Smart Weapons”, “Dirty River (Necrosis)”, “Testify”, “Did We Ask For Truth”, “Disproportionate Response”.

Rate: 8.

Artist: www.terminalnoise.com / www.facebook.com/terminal.industrial

Label: www.metropolis-records.com / www.facebook.com/MetropolisRecords

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights