December 21, 2024

Studio X Vs. Simon Carter – Ad Astra Volantis (CD Album – Alfa Matrix)

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Studio X Vs. Simon Carter
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Genre/Influences: Techno-trance, body-techno.

Content: Studio X Vs. Simon Carter is the union between an Australian techno-trance sound genius and a British DJ/artist. I think that this duo is without a shadow of a doubt one of the most controversial projects signed at Alfa Matrix. Their pronounced techno-trance inspiration sounds like miles away from the standard patterns of electro-underground music.

The earlier this year released EP “Dance With Me ‘Dance With The Devil” already gave us an idea about this 2nd studio album and the least I can say is that it sounds like a pure sonic explosion. I really consider this band as one of the hottest and most clubby formations from the entire scene. The sound is not just techno & trance-minded, but is carried by an impressive production work.

Lawrie Masson is a fucking genius. I don’t know if the man needs to take some hallucinogens to find his inspiration, but he has found the sonic elixir to compose smashing and intelligent dance stuff. Some elements reveal a darker and more underground touch, which comes through in a few industrial sound treatments and other EBM passages, but globally speaking “Ad Astra Volantis” is an invitation to embark for a great transcendental sound trip.

The songs are mainly characterized by impressive flat bass lines and breaks leading you to a real climax. If you don’t remember how it feels to get an orgasm, just put this CD in your disc player, play it at maximum volume and I can assure you’ll soon get back into it. This album indeed sounds like pure sex!

There’s an impressive succession of real masterpieces, which are sometimes joined by some sweet pop elements. A few tracks are even reminding me to the sound intelligence of Daft Punk, but transposed into a hard-techno style. The song “Stranger (Dream With Me)” feat. Trix is one of those tracks.

There for sure is diversity at this album. Some tracks are a little bit of a cool down, but always covered with pure dance elements. I also have a little preference for the somewhat robotic-like “Forever Alone Lost And Unknown”, which sounds like ‘nintendo’-electronics.

“More Than This” is another special cut, which evokes some Madonna elements, but once again transposed into a harder technoid production.

A quite important element is the vocals’ production. That’s for sure what makes the difference with usual techno standards, which are not familiar with vocals. The vocals have been used as a kind of effect on top of the music and, which are perfectly matching with the hard sound.

“Ad Astra Volantis” will especially appeal for lovers of techno music and hard-trance, but open-minded electro lovers will possibly be convinced as well. Notice by the way that the album features 16 songs while the digital edition brings you 18 (!!!) extra songs.

The digital edition reveals 5 exclusive songs plus a real orgy of remixes by bands like C.Lekktor, Aestetische, Binary Division, Pre.Emptive Strike 01, Waves Under Water, Die Braut, Grandchaos ao. This is a way to discover more familiar names from the dark-electro and EBM scene trying to add their personal stamp to the songs.

Conclusion: This is an album you’re either going to like or not; there’s no way in between! One thing is for sure, you can better avoid listening to Studio X Vs. Simon Carter if you’re allergic for techno-minded productions. I found it simply irresistible and proving that techno music can be intelligent as well.

Best songs: “More Than This”, “The Storm Of Life”, “Shooting At The Stars”, “Lies”, “Dance with Me ‘Dance With The Devil”, “Forever Alone Lost And Unknown”.

Rate: (DP:9)DP.

Band: www.officialstudio-x.com / www.facebook.com/officialstudiox / www.facebook.com/sy.carter

Label: www.alfa-matrix.com / www.facebook.com/Alfa.Matrix

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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