November 15, 2024

Ruptured World – Archeoplanetary (CD Album – Cryo Chamber)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-cinematographic, dark-ambient.

Background/Info: One year after the debut album “Exoplanetary”, Scottish artist Aleister Rennie is back on track with a new opus inspired by his compatriot, Dr Archibald Macrae of the Transatlantic Institute of Archaeological Investigations who in 1936 made a critical discovery, recovering an array of materials compiled by his colleague and mentor, Dr Marian Tarknassus, who has disappeared five years earlier while working on the mysterious ancient scripts of the ‘Pictish Ogham’.

Content: The main characteristic of the work is the introduction of every track, which is created by fragmented narrative parts of the main protagonist of this concept. It’s a kind of guideline, which is always evolving into dark, cinematic sound layers made of astral sound treatment and sequences, field recordings, cold strings and weird piano playing. Sometimes evasive, but mainly mysterious the work reveals 9 tracks.

+ + + : Listening to “Exoplanetary” sounds a bit like discovering a sonic documentary or short film. The concept is interesting and definitely intriguing because of the global atmosphere recovering this opus. It has something atypical, definitely creative and diversified. The fragmented speech extracts are mysterious and increase the mystery supporting this work.

– – – : I noticed a few less convincing cuts, but especially “The Grim Repasts Of Cullen Shores” left me unmoved.

Conclusion: Ruptured World clearly tries to bring something different to the cinematographic music genre. I think the best is yet to come, but what I’ve thus far is enjoyable.

Best songs: “The Revelations Of The Cipher – Deciphering The Pictish Ogham”, “The Haven”, “The Aura Of Drostan’s Well”.

Rate: (7½).

Artist: www.facebook.com/RupturedWorld

Label: www.cryochamberlabel.comwww.facebook.com/CryoChamber

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights