October 27, 2024

Rohn-Lederman – Rage (Album – COP International)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences:  

Format: Digital, CD.

Background/Info: One year after the “Venus Chariot”-album the duo (Chiams) – (The Weatherman, Lederman-De Meyer, ao) strikes back with their second opus entitled “Rage”.

Content: Jean-Marc Lederman composed a dark and somewhat atypical Electro-Pop style driven by menacing bass lines, Industrial sound treatments and uplifting choruses. Rohn’s fragile timbre of voice injects a sensitive touch to the ‘machines’.

+ + + : This albums sounds pretty different to its predecessor. It’s darker and more diversified. Lederman feels comfortable experimenting with different influences and styles. His album is an antithesis to ‘classical’ and ‘uninspired’ Electro-Pop productions. Don’t expect catchy melodies but a sophisticated production filled with numerous sound effects and aggressive bass lines. There even is a track sounding as Electronic Rockabilly (cf. “I Am Not A Drone”). This duo isn’t exactly dealing with Electro-Pop, but delivers a kind of ‘free-style’. I like the darkness and rough sound production creating a duality with the delicate vocals.  The already familiar “It Hurts” remains a great piece, but my favorite is the uplifting “Not Your Place To Hide”. I also want to mention “Raging Like Me” which is one of the single cuts with a different -and more spoken like, approach in the vocals.

– – – : The work isn’t maybe the most accessible one in its genre… although it sounds a bit like a genre on its own! I like Emileigh’s vocals but I’m missing a bit more diversity in the singing.

Conclusion: clearly is a successful duo; between different generations creating a ground for further generations.

Best songs: “Not Your Place To Hide”, “It Hurts”, “Raging Like Me”, “Touch And Go”.

Rate: 8.

Artist: www.facebook.com/Rohnlederman

Label: www.facebook.com/copint

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights