November 16, 2024

Neoslave – Autoviolator (Album – Lazerdiscs Records)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electronic, Cinematographic, EBM.

Format: Digital, CDR, Cassette.

Background/Info: Neoslave is a Belgian solo-project set up in 2016 by Leander ‘Lee’ Verheyen. “Autoviolator” was released in 2019 (!) and is the second album by the artist.

Content: The album sounds in the purest tradition of the French Lazerdiscs Records. This is soundtrack music driven by heavy rhythms. Neoslave is mixing different elements next to the soundtrack approach. Some cuts are moving into pure psychedelia, reminding good-old guitar-synth experiments while other cuts are definitely harder, darker and related to EBM. While the main part of the album has something versatile although pretty astral and cinematographic-like, the last cuts of the album are harder and driven by EBM elements. Nearly all cuts are instrumental edits, but there are a few vocals featured.

+ + + : What I mainly like in this composition is the bass line running through a few cuts. Just pay attention to songs like “Greedy Little Eyes”, “Cross Of Fire” and “Take Back Control”. I however prefer the EBM touch running through “Bloodrave”, which is for sure the best cut from the album. This is cinematic music for further generations; a fusion between solid rhythms and retro-like synth lines.

– – – : This kind of production is truly a challenge, but clearly the kind of music for sci-fi computer games.

Conclusion: Welcome in the surreal universe of EBM transposed into computer games and other cinematographic experiences.

Best songs: “Bloodrave”, Greedy Little Eyes”, “Cross Of Fire”, “Take Back Control”, “Demonize”.

Rate: (7).

Artist: www.facebook.com/neoslavemusic

Label: http://lazerdiscs.com / www.facebook.com/lazerdiscsrecords

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights