Memoria – Cravings (Album – Novoton)
Genre/Influences: Electro-pop, wave-pop, minimal-electro.
Format: Digital, vinyl.
Background/Info: We all know Henric de la Cour, but this project is the Swedish artist’s wife Tess de la Cour. “Cravings” is her debut work, which can’t be totally considered as a solo-work as most of the songs have been written together with producer Richard Lindh. Henric de la Cour contributed to the lyrical content of a few songs.
Content: I honestly didn’t know what to expect from this project, which sounds like a sonic offspring between different genres. There however is a solid retro-touch reminding some 80s productions, but especially Tess’ timbre of voice reminds me of the bewitching singing of Siouxsie Sioux. Sound-wise the album reveals a few cool minimal electro cuts while others are more into the darker dark-wave tunes from the 80s. One of the essential cuts is “Lights Out” for featuring Henric de la Cour singing together with Tess.
+ + + : The work is filled with 80s nostalgia with a very personal touch on top. I’m not saying that you can easily recognize the magic touch of Henric de la Cour, but you can feel his presence. The album is a dark, but subtle artistic testimony of Tess’ sonic ideas mixed with the beauty and magic of her vocals. She has a great timbre of voice, which is perfectly matching with the sound. The duo with her husband on “Lights Out” is a great performance and a sublime song.
– – – : I don’t see real minus points; this is a great production.
Conclusion: This is more than simply a great debut work and I can only encourage Memoria to move on! What a good surprise!
Best songs: “Lights Out”, “Bound”, “Forever”, “Maskrosbarn”, “Splinter”.
Rate: (8½).
Artist: www.facebook.com/memoriasthlm
Label: www.novoton.se / www.facebook.com/Novoton
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.