November 15, 2024

Last Days Of S.E.X. – Overstimulation (Album – Hands)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Rhythmic-Noise, Industrial.

Format: Digital, CD.

Background/Info: Album number five for the Greek artist Manos Chrisovergis who remains faithful to the Hands stable.

Content: “Overstimulation” moves on there where previous albums left off. The opening track brings us directly into the violent Rhythmic-Noise universe of the artist. Repetitive loops have been constructed by Industrial sound treatments and other sharp noises. I noticed compressed, fragmented, voices which rather sound like an extra effect on top of the composition. And there’s also a ‘soft’ Electro-Industrial cut reminding me of Dive. Both last tracks are remixes by Hypnoskull and Anfs.

+ + + : The album takes off with a bang; the heavy and violent sound of Last Days Of S.E.X. which is next to be merciless also reaching a transcendental dimension. This is the perfect sound for underground Techno clubs. The Industrial sound sculptures remain one of the main strengths of this project which is much more than brutal Noise. “Raw Life” and “Dopamine Law” both are brilliant piece of sonic terror while the Dive-minded “Escape” might appeal to Dive-fans.  There’s also something to say about both remixes accentuating the pitiless style of this album.

– – – : Some passages are a bit too repetitive to my mind.

Conclusion: A new sonic bomb has been dropped and it’s called “Overstimulation”; a great piece of Rhythmic-Noise.

Best songs: “Raw Life”, “Dopamine Law”, “Escape”, “Bad symptoms”, “Bad Symptoms – Hypnoskull Remix”.

Rate: 8.

Artist: www.facebook.com/lastdaysofsex

Label: www.handsproductions.com / www.facebook.com/hands.official

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights