Ladytron announce remix LP with 'We Never Went Away' remix

🇺🇦 Side-Line stands with Ukraine - Show your Support

(Photo by Barney Steel) Electro-pop band Ladytron are set to release “Time’s Arrow Remixed”, a reimagined version of their seventh studio album “Time’s Arrow”, on October 25 via Cooking Vinyl. The remix album features new interpretations of every track by a diverse group of remixers, ranging from seasoned collaborators to emerging talent.

The first single, DJ Slow’s remix of “We Never Went Away”, launches today. DJ Slow (Vellu Maurola), co-founder of Pepe Deluxé, brings what the band says “a cinematic touch” to the original. Describing his approach, DJ Slow said, “I wanted to maintain the ethereal beauty of Ladytron’s sound while adding a new auditory layer that would transport listeners into a fresh soundscape.”

Following DJ Slow’s release, “Time’s Arrow Remixed” will see Vector Lovers rework the album’s title track on October 11, followed by Stealing Sheep’s remix of “The Night” on October 18, leading up to the full remix album drop on October 25.

Tracklist for “Time’s Arrow Remixed”:

City of Angels (Blakkat’s Made in Los Angeles Mix)
Faces (Georgi Remix)
Misery Remember Me (Shiny Toy Guns Remix)
Flight From Angkor (Jamie Myerson Remix)
We Never Went Away (Quinquis Remix)
The Night (Pato Watson Remix – Radio Edit)
The Dreamers (Lee K’s Sunrise Dub)
Sargasso Sea (Maude Vôs’ Submerged Remix)
California (Blakkat Remix)
Time’s Arrow (Vector Lovers Mix)
Faces (Lucas Frota Remix)
Flight From Angkor (Spatial Awareness Remix)
We Never Went Away (DJ Slow NYC1980 Remix)
The Night (Stealing Sheep Remix)
City of Angels (Blakkat’s City of Lost Angeles Ambient Mix)

About Ladytron

Ladytron is a British electronic band formed in Liverpool in 1999, blending synth-pop, electronic, and darkwave elements into their sound. The group’s original lineup consists of Helen Marnie (vocals, synthesizers), Mira Aroyo (vocals, synthesizers), Daniel Hunt (synthesizers, guitars), and Reuben Wu (synthesizers, keyboards).

Their debut album, “604” (2001), marked their entry into the emerging electroclash scene, with hits like “Playgirl” introducing audiences to their mix of icy synthesizers and dreamy, yet dark, melodies. However, it was their sophomore album, “Light & Magic” (2002), that gained them broader acclaim, especially with the standout single “Seventeen”.

Their third album, “Witching Hour” (2005), represented a shift in their sound, incorporating more shoegaze and rock elements while still retaining their electronic roots. “Velocifero” (2008) followed, and offered a harder, industrial-inspired sound, while “Gravity the Seducer” (2011) took a more ethereal, atmospheric direction.

After a hiatus, Ladytron returned with their self-titled album “Ladytron” in 2019.Their latest project, “Time’s Arrow” (2023) is now followed by a remix album set to release in October 2024.

Here’s one of the tracks from the 2023 album.

Bernard - Side-Line Staff Chief editor

Bernard Van Isacker is the Chief Editor of Side-Line Magazine. With a career spanning more than two decades, Van Isacker has established himself as a respected figure in the darkwave scene.

See Full Bio

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.