December 18, 2024

Kilmarth – Sociological Veranda (Album – Kilmarth)

0
Kilmarth
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Experimental, IDM, Electro, Cinematic, Glitch.

Format: Digital.

Background/Info: Kilmarth is a Belgian solo-project driven by Cédric Wattergniaux. Long time ago Cédric was a Side-Line member while he progressively started experimenting with music himself. After a few EP’s and singles he unleashed his debut album featuring eleven songs.

Content: This album brings an impressive sonic canvas of influences and music styles together. It clearly sounds Electronic but moves from a raw, Industrial debut cut featuring female, spoken-like vocals to Cinematic to pure Experimental music collage to Trip-Pop to Break-Beats and even an experiment with Jazzy, Latin tones. Most of the songs are instrumental versions , but there are also several guest singers featured.

+ + + : What I especially like in the attitude of this artist is the ‘no compromise’ approach. Kilmarth doesn’t really care about established- and trendy fashion trends but just does his thing. The opening piece “Lurking” featuring Silly Shadow is a brilliant cut mixing IDM and raw, Industrial, sound treatments. I also enjoy the ominous sphere running through a few other cuts. “Les Jeux Sont Faits” is one of these tracks I recommend listening to for the harder kick and Industrial touch.

– – – : The work doesn’t sound always that compact as there are so many influences running through the work. It sometimes feels like a compilation and/or imaginary Soundtrack. I think the main strength of the album lies in the impressive debut song whereon the vocals are also adding a little extra.

Conclusion: Kilmarth doesn’t deal with the most accessible format of Electronic music but clearly explores different paths and endless ideas.

Best songs: “Lurking”, “Les Jeux Sont Faits”, “Better Days”, “La Marche Noire Des Blattes”.

Rate: 7.

Artist: www.facebook.com/Kilmarth

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights