ICD-10 – Differential Diagnosis (CD Album – Hands)
Genre/Influences: Industrial-trance, industrial-techno.
Background/Info: Henning Hinck and Daniel Himmelreich are already active for several years now under the ICD-10 moniker. While this is their official debut album as solo-project they already released the album “Divinity/Unity/Nothingness” together with label mates Phasenmensch, with whom they seem to have a friendly relationship. “Differential Diagnosis” reveals 13 tracks from the German duo.
Content: The techno virus is seriously contaminating the industrial music scene. ICD-10 are clearly driven by techno and trance inspiration, which they crafted into a darker and harder industrial approach. Heavy kicks, vibrating bass tones and a few spoken samplings will get you into dance! One’ of the tracks is featuring Phasenmensch.
+ + + : Dark-techno music is getting more and more common today. This is not only dark-techno music, but a perfect merge with harder, industrial fields. I especially like the transcendental sensation emerging from most of the tracks, but I especially have to mention “Squeeze”, which stands for pure frenetic dance stuff! The work also has something sophisticated and that’s already what I heard on their work together with Phasenmensch. This input is more IDM-like, but the basis remains industrial-trance!
– – – : I sometimes regret the songs are not harder and maybe a little bit more industrial or rhythmic-noise driven.
Conclusion: ICD-10 appears to be a real sound ogre when it comes to get people dancing on industrial-trance stuff!
Best songs: “Squeeze”, “Complex Shape feat. Phasenmensch”, “Dark Channels”, “Centerline”.
Rate: (7½).
Artist: www.facebook.com/ICD10RhythmicNoise
Label: www.handsproductions.com / www.facebook.com/hands.official
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.