First 7 Delerium albums to be reissued
Front Line Assembly release new version of 'Molotov' featuring Seeming
Metropolis Records will be reissuing the first seven albums by Delerium. These seven remastered albums include “Faces, Forms and Illusions” (1988), “Morpheus” (1989), “Syrophenikan” (1990), “Spiritual Archives” (1991), “Stone Tower” (1991), “Spheres I” (1994) and “Spheres II” (1994).
All of these long out-of-print albums will be simultaneously released by Metropolis on very limited edition white vinyl sets and compact disc along with all digital and streaming platforms on March 4th, 2022.
The material has been remastered for the occasion.
About Delerium
Delerium formed in 1987, originally as a side project of the influential industrial music act Front Line Assembly. Throughout the band’s history, their musical style has encompassed a broad range, including dark ethereal ambient trance, voiceless industrial soundscapes, and electronic pop music. They are best known for their worldwide hit “Silence”. The band is known to feature several female guest vocalists on their albums since their 1997 album “Karma”.
These have included mostly women, such as The Mediæval Bæbes, Kristy Thirsk (of Rose Chronicles), Sarah McLachlan, Leigh Nash (of Sixpence None the Richer), Elsieanne Caplette (of Elsiane), Lisa Gerrard (sampled only), Jaël (of Swiss band Lunik), Camille Henderson, Nerina Pallot, Emily Haines (of Metric), Jacqui Hunt (of Single Gun Theory), Isabel Bayrakdarian and Shelley Harland. Other than Leeb, only three males have contributed vocals to a Delerium album: Matthew Sweet (“Daylight”, on Poem), Greg Froese (“Apparition”, on Nuages du Monde), and Michael Logen (“Days Turn into Nights”, on Music Box Opera); in addition, Baaba Maal was sampled (“Awakenings, on “Spiritual Archives”).
The only constant member throughout its history has been Bill Leeb. Leeb was an early member of industrial pioneers Skinny Puppy, but after he left in 1986 he went on to create his own project, Front Line Assembly with collaborator Michael Balch. Later, the two worked on the side project Delerium and released their first album, “Faces, Forms & Illusions”.
After Balch left both Front Line Assembly and Delerium, Leeb worked with Rhys Fulber, and the two released several albums under the Delerium moniker. These years saw a gradual stylistic change from darker ambient to a more danceable sound. After the release of “Karma”, Fulber left to pursue other interests, and Leeb teamed up with producer Chris Peterson to release “Poem”. 2003, however, saw the reunion of Leeb and Fulber for the release of “Chimera”, followed by “Nuages du Monde” in 2006.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
