December 24, 2024

Droid Sector Decay – Posesión Satánica (Digital EP – Underground Industrial Records)

0
Droid Sector Decay – Posesión Satánica
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-electro, experimental, EBM.

Background/Info: The Greek-American Droid Sector Decay is a pretty prolific formation, which has released numerous releases since 2009. “Posesión Satánica” was their latest release of 2017. Notice by the way this EP is also featured as a limited edition deluxe box set featuring a 7” vinyl, a tape and Two CD’s.

Content: The band claims on their Facebook-page ‘There are no boundaries…there are no limits… Welcome To Decay…Spread The Virus’. I think it’s fully representative for their state of mind and the sound they’re dealing with. This EP is much more electro & EBM orientated than its predecessor. The songs have been sung and are more into a dark and heavy, overwhelming EBM style. I also noticed some elements of horror symbolized by heavy screams.

+ + + : Droid Sector Decay doesn’t really deal with one specific music style. Every new release appears to be a sonic exorcism, which for “Posesión Satánica” is more reminding me  of EBM. The track “A Dark Deity Of Grotesque” even reminds me a bit of the rough and dark expression of Pouppée Fabrikk. The addition of vocals is a cool and essential bonus.

– – – : I’m missing some of the industrial elements from the previous EP while the EBM style could be more elaborated. I can’t get away from the feeling this band is missing a producer to bring their sound to a higher level. This is the kind of record I imagine being produced by Claus Larsen.

Conclusion: Don’t get me wrong, this is an interesting EP, but it feels a bit like there’s much more potential in this band than what came out in this EP.

Best songs: “A Dark deity Of Grotesque”.

Rate: (6½).

Band: www.facebook.com/DroidSectorDecayofficial

Label: www.facebook.com/UndergroundIndustrialRecordsofficial

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights