December 2, 2024

‘Click Interview’ with kFactor: ‘kFactor Is My Antihero’

0
kFactor
🇺🇦 Side-Line stands with Ukraine - Show your Support

kFactor is a Brazilian band set up by Junior (Jr). Electro Aggression Records introduced his debut album “Ghastly Monolith” (2015) as inspired by the good-old Belgian electro scene. I for sure noticed late 80s and mainly 90s influences reminding me to influential bands like Clock DVA, FLA and X Marks The Pedwalk.

“Ghastly Monolith” is not the kind of furious EBM production, but an intelligent work filled with overwhelming and haunting atmospheres. I get in touch with Jr to get a bit more info about his work.

(by Inferno Sound Diaries)

Q: How would you briefly introduce kFactor and tell us something about your background as musician?

Jr: Well kFactor is my ‘antihero’ and my opposite. I’m using kFactor to express my unusual musical formation.

Q: Tell us a bit more about your main sources of inspiration and a possible link with late 80s and 90s EBM?

Jr: This is really funny. For sure I listen to all great names of EBM from 25 till 30 years ago, but I can’t say that those bands are directly influencing my music. I can’t even say I’ve a big influence.

Q: What kind of album did you’ve in mind when starting the composition of “Ghastly Monolith” and how do you look back at the remix-disc?

Jr: There’s no real ‘big’ influence on “Ghastly Monolith”. I always have tried to do something different, but always in between dark-electro, EBM and industrial. I’m dealing with a blend of styles and I know many bands are exactly doing the same, but I tried to inject my own ideas on the album.

The remix-disc is a space point of this blend, which is more usual and more common-like although in the kFactor style.

Q: What are the plans and purposes for the next few months?

Jr: I’m actually working on a new double-CD and looking out for new live shows. I want and need to play more in Europe. Right now I’ve a lot of work achieving all songs for the new album so I’m going through crazy days, but I like it. I’ve to find the right balance between writing songs and doing live shows.

Courtesy by Inferno Sound Diaries

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights