December 17, 2024

Cellmod – Graveyard Of Empires (CD Album – Infacted Recordings)

0
Cellmod
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: EBM, industrial-EBM, glitch-pop, cinematographic.

Background/Info: Cellmod is a band set up by Juan Espinosa and joined by guest singers. After having released previous albums on Sector 9 Studios, Cellmod joined hands with Infacted Recordings to unleash its 4th opus.

Content: “Graveyard Of Empires” is one of the most diverses albums I have ever heard. It’s not only because of the many guest vocalists –featuring Pete Crane (Shiv-R), Alex Matheu & Rashree Matson (Negative Format), Jared Lambert (Ien Oblique), Raziel Panic (You Shriek) ao, but also because of the eclectic electro approach featuring different influences. Notice by the way that the bands featuring the guest vocalists have previously remixed Cellmod.

The songs move from glitch-pop to beautiful reverie pop to somewhat electro-dance reminding me of Delerium to a kind of mix between dance- & film music, to heavier techno-industrial, and even industrial hip-hop songs. Every single song sounds like a new exploration in sound featuring a different vocalist. It’s totally weird, but I can assure you that it’s pretty well-crafted and efficient.

+ + + : The diversity of the album and its guest singers keep the listener in constant fascination. I have a little preference for the somewhat harder cuts and especially the instrumental title song and the one featuring Pete Crane.

– – – : “Graveyard Empires” sounds pretty ‘compilation-like’ and not really like a compact entity.

Conclusion: “Graveyard Of Empires” is an album that will definitely take you by surprise revealing several cool and achieved songs.

Best songs: “Graveyard Of Empires”, “Murderous Beliefs feat. Pete Crane”, “This Night feat. Raziel Panic”, “Tremor Drum”.

Rate: (7½).

Band: www.cellmod.net / www.facebook.com/Cellmod

Label: www.infactedrecordings.de / www.facebook.com/pages/InfactedRecordings/124099254321690

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights