Burial Hex – Gauze (Album – Cold Spring Records)
Genre/Influences: Death-Industrial, Horror-Electronics.
Format: Digital, CD.
Background/Info: Clay Ruby strikes back with a new conceptual piece of music released under The Burial Hex Moniker. “Gauze” has been released after a few collaborative productions.
Content: The sound universe of Burial Hex remains dominated by the fusion between different influences. Industrial sound treatments have been mixed with Minimal-Electronics, field recordings and heavy screams. it creates this familiar horror-sensation which also moves into mystic parts accentuated by Gregorian chants.
+ + + : Burial Hex remains a master when it comes to compose disturbing music. It’s mainly due because of the freaky, obscure atmospheres hanging over the work. The songs move from harsh, Death-Industrial parts to sophisticated, ghost-like passages. “Two Rivers” is a great track in this genre. There also is something authentic running through the work; a more intimate part creating a dark serenity which mainly emerges at “Double Scorpio”. Another attention grabber is the opening piece reflecting sadness created by the cello-like tune.
– – – : Burial Hex has been never an easy going sound experience, but rather a work for initiates.
Conclusion: Burial Hex has released an endless number of works, but “Gauze” sounds as a must have for tormented souls.
Best Songs: “Two Rivers”, “Double Scorpio”, “Lion’s Breath”, “Lost Sailor”.
Rate: 8.
Artist: www.facebook.com/burial.hex
Label: www.coldspring.co.uk / www.facebook.com/coldspringhq
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
