December 18, 2024

Blind Delon – La Métamorphose (Album – Veyl)

0
Blind-Delon
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-Wave, Post-Punk.

Format: Digital, Vinyl.

Background/Info: French Formation Blind Delon are back unleashing their third full length. They already signed to another label while the line-up of the band has also changed. Blind Delon is now featuring core members Mathis Kolkoz (vocals, guitar) and ‘Coco’ Thiburs (bass) and new member Thom Mayor (synths, guitar).

Content: The new work rather sounds in prolongation to the previous album “Chimères” than their debut opus “Discipline” which was driven by Minimal-Electronics. The album sounds more into pure Dark-Wave but remains connected with Electronics. I also noticed a few passages moving into Psychedelic-Rock. The work is diversified although homogenous. Several songs of the album have been accomplished with guests Fivequestionmarks, Curses, Maenad Veyl (label owner), The KVB and Poison Point.

+ + + : This is without a shadow of a doubt the most varied album by Blind Delon. Even if Dark-Wave remains the common thread between the songs you’ll find diversity everywhere; now being more Electronic orientated, then Cinematic, next moving into Psychedelia and even carried by solid, aggressive, electronic bass lines. I personally like the Electro-Minimalism mixed with dark-Wabe influences of “La Violence” featuring Fivequestionmarks plus the aggressively-driven “Le Sarcasme”.

– – – : Diversity is cool but I can’t get away from the idea the band is sometimes still in search of a their own sound. The album is enjoyable but missing a true climax.

Conclusion: The least we can say is that Blind Delon never repeats themselves but still sounds like experimenting with Dark-Wave.

Best songs: “La Violence” featuring Fivequestionmarks, “Le Sarcasme”, “La Mort” featuring Curses, “La Noyade”.

Rate: 7.

Artist: www.facebook.com/blinddelon

Label: www.facebook.com/veylrecords

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights