December 17, 2024

Blackbook – Confessions Of The Innocent (Album – darktunes Music Group)

0
Blackbook
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-Pop, Electro-Wave-Pop.

Format: Digital, CD.

Background/Info: Blackbook is a new Swiss duo which has been introduced as having composed famous hits and even the title song for a famous Netflix series. However, who they are remains unknown. They released several singles during the past four years and are now unleashing their debut album.

Content: Blackbook is clearly driven by good-old Electro-Wave/Pop influences. It sounds like the common thread throughout the entire album. Most of the songs sound like ‘happy-pop’ music although I also noticed a few harder passages driven by EBM-orientated bass lines. It’s a catchy and danceable production which might appeal to Elegant Machinery fans although I don’t want to make any further comparison. 

+ + + : Blackbook took me by surprise. The album is a succession of great and fully accomplished songs. This is an outstanding production moving from catchy, happy, sounding tunes to harder, danceable cuts carried by menacing bass lines. The global spirit however remains ‘happy-pop’-like. The songs have been meticulously crafted revealing maturity and creative writing. The choruses mainly have an elevating effect. Last but not least there also is a talented and experienced singer on top of the work.

– – – : We get 14 songs but only both last cuts can’t totally convince me. I don’t have any single reason to complain!

Conclusion: “Confessions Of The Innocent” sounds like a blast in Electro-Pop land. This album definitely belongs to the very restricted list of ‘best of’ Synth-Pop albums of the year.

Best songs: “Lab Rats”, “Love Is A Crime”, “Minefield”, “My Beautiful Witch”, “Minefield”, “I Dance Alone”.

Rate: 9.

Artist: www.blackbookmusic.ch / www.facebook.com/blackbook

Label: www.darktunes.com / www.facebook.com/darkTunesMusic

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights