Ashbury Heights presents new album, ‘Ghost House Sessions – Vol. 1’, featuring 25 tracks
Ashbury Heights
Out on August 9th via Out of Line is the all new album from Swedish electro/synth-pop act Ashbury Heights, “Ghost House Sessions – Vol. 1”. “Ghost House Sessions – Vol. 1” is the band’s first new album since 2018’s “The Victorian Wallflowers”.
The new longplayer contains 25 tracks of which 15 will be also available on a limited edition ‘glow in the dark’ double vinyl and 25 on a double CD including 10 bonus tracks which are previously released digital only singles.
The album also contains a number of collaborations with singers and projects such as Massive Ego, Ulrike Goldmann (Blutengel), Corlyx, Madil Hardis, Alia Synesthesia and others.
“The past years have been incredibly inspiring. There have been incredible highs and devastating lows. That roller coaster is now being shaped into music”, says the band’s founder Anders Hagström.
Check out the video for “Ghosts Electric” below, followed by “Wild Eyes“.
About Ashbury Heights
Ashbury Heights is a Swedish electronic music duo from Sundsvall, Medelpad, and formed in 2005. The original lineup consisted of Anders Hagström (vocals, songwriting, music, and programming) and Yasmine Uhlin (vocals). Uhlin left after their EP “Morning Star in a Black Car” and was replaced by Kari Berg, who featured on their album “Take Cair Paramour” in 2010. The band faced a temporary disbandment due to disputes with their label, Out of Line, but reformed in 2011 with Hagström and a new vocalist, Tea F. Thimé.
Ashbury Heights’ sound is characterized by a mix of synthpop, futurepop, and electropop. Their discography includes several studio albums, such as “Three Cheers for the Newlydeads” (2007), “The Looking Glass Society” (2015), and “The Victorian Wallflowers” (2018).
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
