December 18, 2024

Alphaxone – Ghost Machine (Album – Cryo Chamber)

0
Alphaxone
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-Ambient, Cinematographic.

Format: Digital, CD.

Background/Info: Iranian artist Mehdi Saleh has released a countless number of albums and collaborative productions over the past ten years. “Ghost Machine” is his newest solo-work revealing nine new cuts.

Content: Alphaxone achieved a new sonic exposure as an imaginary bridge between pure Dark-ambient and freaky cinematographic music. It’s a dark composition, which brings the listener quite instantly into a state of fear. The tracks are progressively evolving towards a more elaborated final part. Resonating sounds and obscure noises are merged with refined astral bleeps right at the end of the work.

+ + + : Mehdi Saleh is a prolific artist, but I’m really fascinated how he holds on the quality of his productions at a very high level. “Ghost Machine” is dark work and I even dare to say his darkest production ever. The tracks have been progressively built up to a phenomenal final part. “Aftershock” and “Dissolution” create an imaginary apocalyptic apotheosis with a strong visual strength. There’s an impressive and overwhelming power emerging from the sound treatments, but you’ll also notice subtle sound arrangements in the background.

– – – : I’m not saying that the debut part of the work is monotonous, but the best cuts are right at the end. So, it takes a bit of time and a few tracks before Alphaxone reveals its best side. 

Conclusion: Alphaxone remains faithful to its familiar sound and music approach although the artist is constantly trying to put different accents in his production. This is a magnificent work.

Best songs: “Aftershock”, “Dissolution”, “Underneath”, “Derelict”.

Rate: 8.

Artist: www.facebook.com/alphaxone

Label: www.cryochamberlabel.comwww.facebook.com/CryoChamber

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights