November 15, 2024

Music For Installations – Stamp & Deliver (Album – Littl’Antenna Records / Wool-E Discs)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Ambient-Electro, Experimental.

Format: Digital, CD.

Background/Info: Pieter Gyselinck active under the Music For Installations moniker already released an album on Wool-E Discs’ ‘Belgian NeuMusik’-series and now contributed with this recording to the Littl’Antenna roster featuring the fifth release in this series of Ambient live recordings.

Content: The work features 10 songs holding on the main ingredients of the “Fractions Of Unity” album. The compositions remain a mishmash of Ambient-Electro, Experimental music and some soundtrack passages. It all sounds like the artist used –or mixed some field recordings in his work, sometimes moving on the edge of Dark-Ambient (cf. “Synesthesia 5”). But the main part of the work clearly sounds as an exploration of ambient territories, which can be interrupted by deep, blasting sound treatments (cf. “Hirsilä (Reflection)”). The work ends with a rather astral sounding atmosphere.

+ + + : The album features a great diversity, which holds on the attraction and creates a surprising effect –especially when exploring darker sound fields. The production reveals some exceptional sound treatments, which are mainly emerging at “Hirsilä (Reflection)” and “Synesthesia 5”. The Experimental touch of the work makes the difference with most familiar projects from these Ambient-Electro releases.

– – – : There’re a few cool cuts featured at the album, but none of them reach a total climax.

Conclusion: Music For Installations reveals a rather open-minded Ambient-Elector spectrum.

Best songs: “Hirsilä (Reflection)”, “Synesthesia 5”, “Melancholia”.

Rate: (7).

Artist: www.musicforinstallations.com / www.facebook.com/musicforinstallations

Labels: www.wool-e-discs.be / www.belgianneumusik.be /

www.facebook.com/woolediscs / www.antennafestival.be

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights