November 15, 2024

Kageraw – Find Me In the Dark (Album – Gravaçöes Tungusk)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Cinematographic, Neo-Classic, Experimental, Folk, Ritual.

Format: Digital, CD.

Background/Info:  Juily Kiran has already released different works, but now strikes back with this new opus released by Gravaçöes Tungusk. The work features twelve songs, which inspire the artist ‘to feel the music and be free’.

Content: It’s not an easy thing defining the style of Kageraw. The songs have been composed with different influences, taking off with an instrumental Neo-Classic and Cinematographic piece to move next with a more mystic-like song. The acoustic guitar injects a Folk touch to the album. Some of the chants create a Ritual sensation. Other songs are revealing more explicit field recordings. There’s an interesting progression in the tracklist, the best cuts emerging at the end. “V Puty” is a noticeable song.

+ + + : Kageraw is an original exposure from an artist who clearly doesn’t like to be labeled as one specific music genre. She experiments with ideas and influences, creating a cool melting pot, which will however mainly appeal to lovers of Cinematographic and Folk music. But there also is an interesting experimental approach in the way she uses her voice. From pure ritual to more Chanson (sung in Russian) the voice injects something particular to the music. The play of acoustic instruments gives this album an authentic feeling.

– – – : I enjoyed listening to Kageraw, but I’m missing a total apotheosis.

Conclusion: This is an interesting artist I discovered by the Portuguese label Gravaçöes Tungusk and I’m sure Kageraw has the potential to do better.

Best songs: “V Puty”, “Skupie Slova”, “Pesnya Sovy”, “How The Heart Cries And Laughs”.

Rate: (7).

Artist: www.facebook.com/mekageraw

Label: https://tunguskarec.blogspot.com

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights