Apocryphos – Against Civilization (Album – Cryo Chamber)
Genre/Influences: Dark-ambient, cinematographic.
Format: Digital, CD.
Background/Info: Robert C. Kozletsky has been – and still is, involved with different projects (Shock Frontier, Psychomanteum ao) his most renowned project remains Apocryphos. “Against Civilization” is the first ‘new’ solo-album since “Stone Speak” (2016).
Content: “Against Civilization” is much different, like revealing an artist who explores the cinematic style deeper. The atmosphere recovering the work remains dark, sometimes a bit tormented, but still intimate. The tracks are pretty comparable to each other, creating a dense sonic puzzle with a few highlights. Notice by the way Pär Bostrom (Kammarheit, Cities Last Broadcast, Hymnambulae) contributed to 2 cuts.
+ + + : I can’t say this is the best work I’ve heard from Apocryphos, but it definitely appears to be the most intimate and personal work to date. There’s a deeper concept behind, but it all feels like an artist who shares his deepest frights together with his audience. So the work has a real visual strength, which is reinforced by the use of field recordings. I like the most obscure side from the album appearing with “Dysphagia”, but especially on “Sunken Eyed Theopanies”. Some sound effects and field recordings have a very subtle touch, like little details accentuating the truly spirit and darkness of the work.
– – – : The album has something monotonous; there’s not that much difference between the tracks so you can get the sensation listening to a single, long during track without that much diversity.
Conclusion: This album totally fits the cinematic concept of Cryo Chamber, but it’s definitely not my favorite Apocryphos work in history.
Best songs: “Sunken Eyed Theopanies”, “Dysphagia”, “Altschmerz”.
Rate: (7).
Artist: www.facebook.com/apocryphosdrone
Label: www.cryochamberlabel.com / www.facebook.com/CryoChamber
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.