December 18, 2024

Angst78 – 78-Angst (Album – Zoharum)

0
Angst78
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro, ambient, experimental, IDM.

Format: Digital, CD.

Background/Info: Angst 78 is a Polish project driven by Patryk Gęgniewicz (aka ‘Revisq’) and Lukasz Szalankiewicz (aka ‘Zenial’). The songs featured on this album were composed and recorded in between 2013 and 2019 and were composed in different places and circumstances.

Content: The least I can say is that “78-Angst” is a very versatile piece of music. The common element between all songs is the ambient inspiration, which has been constructed with electronics. Numerous influences such as techno kicks, trance loops and even a groovy remix have been merged with this ambient basis. The music is always relaxing, but some tracks will bring you to dance. I also noticed a few more experimental cuts.

The album features 3 remixes by Fisherboyz, Ursus Sykot and Dawid Chrapla.

+ + + : The eclectic format of this work allows the listener to always find something to their taste. I prefer the minimal approach mixing ambient and trance (cf. “Im Wald”) and the dubby experiment at the final song (cf. “At The Gates”), which is a remix by Dawid Chrapla. Sound-wise I noticed cool, low sound resonations running through several tracks. The kind of heartbeat kick at “Waldenburg” is another interesting element.

– – – : There’re 3 tracks (cf. “Earth Reprise”, “Children Of The Corn” and “They”) which are more into experimental electronics and, which can’t convince me like the rest of the album.

Conclusion: “78-Angst” sometimes sounds like a compilation,  but behind the album’s diversity are hiding a few interesting ideas.

Best songs: “Im Wald”, “At The Gates – Dawid Chrapla Remix”, “Platz Drei”, “Frost”.

Rate: (7).

Artist: www.zenial.pl / www.facebook.com/Zeniallo

Label: www.zoharum.com / www.facebook.com/zoharum

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights