Statiqbloom – Asphyxia (CD Album – Metropolis Records)
Genre/Influences: Industrial, EBM.
Background/Info: Honestly, I can’t remember to have ever heard of Statiqbloom before. They released a few albums before on Translation Loss , but “Asphyxia” will probably become the real start for Statiqbloom.
Content: “Asphyxia” definitely deals with a post-industrial sound, getting us back to the 90s and reminding me of bands such as Mentallo & The Fixer, Revolting Cocks, but especially Yelworc for the haunting atmospheres. The songs are recovered with a dense and hostile dark layer. It all feels like danger coming really close.
+ + + : I’ve been deeply impressed by “Asphyxia”. The compositions aren’t innovative, but the writing is intelligent and sophisticated. There’s a great mix between 80s and especially 90s electronics at one side and a personal and more contemporary approach at the other side. The industrial sound treatments create a perfect match with hostile electro atmospheres. This reminds me to Yelworc, which I’m still considering as one of the absolute ‘masters’ when it comes to create a tormenting dark-electro/EBM sphere. Just pay attention for excelling cuts such as “Eight Hearts Eight Spikes” and “Figure Behind The Door”, but also for the more EBM driven “Painted Red”.
– – – : The album features 9 songs and that’s a pity because the final track is a rather disappointing song… Serious now, I would have preferred to get a few extra songs, but you don’t hear me complaining.
Conclusion: Statiqbloom definitely sounds as the latest promising formation from the Metropolis stable! “Asphyxia” left me rather breathless…
Best songs: “Eight Hearts Eight Spikes”, “Figure Behind The Door”, “Painted Red”, “Possession”, “Until Oblivion”.
Rate: (8½).
Artist: www.facebook.com/statiqbloom
Label: www.metropolis–records.com / www.facebook.com/MetropolisRecords
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.