Blippblopporkestern – Människomusik (CD Album – ScentAir Records)
Genre/Influences: Electro-pop.
Background/Info: ScentAir Records is
clearly open to international electro-pop bands. With Blippblopporkestern they
signed a Swedish project set up in 2012 by Andreas Rimheden. I know this
musician from his involvement with Morticians while he was also active in the
electro-pop band Eternity Range. After a self-released album “Elektroromantik”
(2014) Blippblopporkestern is now back unleashing its official debut work.
Content: Sweden remains a prolific
ground when it comes to electro-pop music. I can’t however say that
Blippblopporkestern sounds like an average Swedish formation in the genre.
There’re for sure some very familiar influences running through this work, but
there also is a will to create something different.
I sometimes get the impression Rimheden is using real drums, which clearly
reveals a particular focus on this aspect. “Maskinen” is also somewhat unusual
although pretty ‘robotic’-like and definitely one of the attention grabbers.
The main particularity however remains the lyrics sung in Swedish language.
+ + + : The songs are well-crafted,
revealing a fascinating progression and especially “Humanoid” is a real
noticeable example. I also like the somewhat nonconforming electro-pop approach
although there are similarities with common electro-pop music. This work is
catchy and robotic, sometimes accomplished with refined tunes and featuring
great, bleeping sequences.
– – – : I’m not a huge lover of some
very soft cuts such as “Ilos Visa”, and “Sveriges Sista Sång”.
Conclusion: Blippblopporkestern is
an exciting discovery in electro-pop although I’m sure there’s more potential
hiding in this band than what I’ve heard on “Människomusik”.
Best songs: “Humanoid”, “Maskinen”,
“Sanningsministeriet”, “Genus”.
Rate: (7½)
Artist: www.facebook.com/blippbloppare
Label: www.scent-air.com / www.facebook.com/ScentairRecords
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
