Taphephobia & Kave – Monuments (CD Album – Cyclic Law)
Genre/Influences: Soundscape, cinematographic.
Background/Info: This work is a split release between Norwegian musician Ketil Søraker (Taphephobia) and Netherlands musician Bram Gollin. They each composed a long-duration cut.
Content: Taphephobia is the most familiar and experienced artists from the work and gets the privilege to start. We get a dreamy sonic voyage throughout dark, abyssal spaces. The track has been composed with a noticeable progression featuring new sounds and effects that are joining in.
Kave coming next is more into a pure soundscape approach. It also invites the listener to dream away and imagine himself visiting an unknown and obscure territory.
+ + + : There’s a clear link between both projects. They’re creating an imaginary sonic landscape of darkness, but still revealing something prosper. It’s more like travelling through your inner-self and maybe discovering some perturbing information. It however has something relaxing. I prefer the track by Taphephobia, which is more elaborated and accomplished. It’s a work with a strong visual appeal.
– – – : Kave’s cut starts to get a little bit monotone after a while. There’s less progression, but the main thing is that I’m missing a real visual content. It would give the deserved dimension to the sound from both artists.
Conclusion: This split-release features two related projects dealing with a dark and mainly cinematographic sound. There’s nothing groundbreaking, but fans of the genre will be pleased.
Best songs: Taphephobia: “Entwined With The Dark”.
Rate: (6½).
Artist: www.facebook.com/Taphephobia-196425420397858
Label: www.cycliclaw.com / www.facebook.com/cycliclaw
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
